Think Ahead for Mother’s and Father’s Day Commissioned Portraits
Posted: April 7, 2012 Filed under: animal artwork, cat artwork, cat painting, cats, commissioned portrait, dog, dog portrait, feline artwork, pet portrait, pets, portrait | Tags: charcoal portrait, commissioned pet portraits, commissioned portrait, commissioned portraits, pastel portrait, pencil portrait, pet portraits, watercolor portrait Leave a commentIf you’re thinking of a custom portrait as a gift for someone for Mother’s or Father’s Day, let’s get started now! From our beginning conversations to shipping the finished framed portrait to you takes about four weeks, and we’ll be just in time for Mother’s Day if we start now.
I also remind people that “pet parents” are parents as well and qualify for gifts in honor of these two holidays, so why not celebrate with a gift from your animal children?
While a custom commissioned portrait is a really unique gift, sometimes you can’t get the photos or you’d rather let the recipient design the portrait they want. I offer gift certificates for portraits in any denomination, but usually suggest $125.00 because it is the basic cost of a portrait, one subject in an area of about 10″ x 12″ depending on the subject matter. (The recipient is responsible for any amount the portrait costs over $125.00.)
How about all the children together, animal and human?
And even though I specialize in animals, I also paint people, and several times have painted portraits of people and their pets. I only have a few samples because some customers have requested privacy when the subjects were children and others haven’t given permission to be on the internet.
How the certificate works
The certificate itself is 8.5″ x 11″ and features a collage of portrait images with the recipient’s and giver’s names, printed on parchment cover stock. The whole thing is packaged in a pocket folder and includes a brochure, a letter from me to the recipient and several business cards. The certificate package can be easily mailed or wrapped as a gift and shipped directly to your recipient.
If you need your certificate in a hurry, let me know when you make your purchase, give me the name of the recipient and the holiday/event if any and I’ll e-mail you PDFs of the certificate, thank you letter and brochure so that you can print them out or forward them in e-mail. Please make sure you give me the e-mail where you want to receive them, especially if they are a surprise!
Prices are quoted per job, and include only the drawing (no mat or framing; this is extra, see below). Portraits start at $125.00 per subject for a color 8″ x 10″; prices increase according to size and complexity of work. Adding a background, extra objects (toys, etc.) and additional subjects are extra according to their complexity. I reserve the right to limit the content according to the finished size so that the subjects don’t become so small that details are impossible. And remember, I can only do so much with some photographs!
Framing is charged as a separate item, and we can discuss the framing when you contract for your portrait.
Certificate can be used for other subjects as well
Animal artwork is not limited to pictures of your own pets, but may include pictures of any sort—wildlife images, for instance. In addition to portraits of your pets, I also offer portraits of your people, your house, or any other item of which you may want a portrait. I can always hold on to a portrait until a holiday, birthday or other event arrives, and I can keep a secret if the portrait is a gift.
You are helping a long list of animal shelters and rescues
Your purchase of a certificate supports many shelters and animal welfare organizations because I also donate at least a half dozen certificates to benefit auctions every year where all proceeds of the sale go directly to the organization; your purchase helps me cover the costs of creating original art for the winners of these certificates. I’m always pleased to see they auction for more than their face value—in this way, I can “give” more to the organizations than I ever could in cash.
Read about portraits and look at samples
You can read more about custom commissioned portraits on this site by clicking the tab at the top for Commissioned Pet Portraits and from there follow the links to my website.
You can also read stories about portraits on The Creative Cat, including progress images of more recent portraits and stories of portraits I’ve done in the past.
Take a look at other portraits and read other stories
Read articles here on The Creative Cat featuring current and past commissioned portraits.
Read about how I create commissioned portraits.
Commissioned Cat Portraits | Commissioned Dog Portraits |
Visit my website to see portraits of my cats, commissioned cats, commissioned dogs, people and a demonstration of how I put a portrait together from photos.
To go directly to the Gift Certificate on my website, click here, or go to my Portraits of Animals shop on Etsy.
All images used on this site are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in purchasing one as a print, or to use in a print or internet publication.
Donation to a WPHS Event and a Visit to the Cat Colony Room
Posted: August 30, 2011 Filed under: adopting a cat, adopting a kitten, animal rescue, cats, commissioned portrait, events, western pennsylvania humane society | Tags: animal shelters, bernadette e kazmarski, best friends' calendar, cats, commissioned pet portraits, western pennsylvania humane society 7 CommentsHelp! I’m being mobbed by kittens!
Not that I mind, in fact that’s kind of the point of the Cat Colony Room at the Western Pennsylvania Humane Society (WPHS)—to get you in touch with your inner kitten, and hopefully with your next kitten or adult cat best friend.
I recently visited in order to drop off my donation to the WPHS Best Friends’ Calendar 2012 Preview Event upcoming on September 13 (details below), a certificate for me to create a commissioned portrait for the winner.
The Cat Colony Room
Of course, I couldn’t pass up a visit to the newly-developed room which opened just this past June with the purpose of providing more room for 10 or more kittens to live together and run and play, and a space for people to walk in, sit down on the floor and have kittens crawl all over them so they’ll just be able to get to know them a little better before adopting.
“This used to be a storage room full of cabinets to store food and things for the cats and rabbits and sinks to clean the litter boxes,” said Gretchen Feiser, Director of PR and Business Relationships for WPHS who took the time to give me a tour. “We had only one room for meeting cats, and on a busy Saturday people get frustrated with waiting—and we certainly don’t want that if they’ve come here to adopt!”
They made a decision in spring to create a second feline meeting room room in time for the dreaded “kitten season” to help with housing the overflow of kittens and the occasional backup of adopters.
“These kittens have come back from foster homes,” Gretchen continued, explaining that they try to get litters of kittens brought in for surrender into foster homes “until they are a good age and good weight for spay or neuter.”
Normally there are many more kittens in the Cat Colony Room, but this morning there were four, all girls, all spayed and ready for homes. The brown tabby who greeted us at the door and had a thing for my shoes was Zipper, at 11 weeks. The three orange kittens were all 12 weeks and all from one litter: Ringo, the orange and white girl; Lala, the orange tabby; and Sasha Fierce, the cream tabby—now there’s a name to tell you about a kitty!
The importance of foster homes
The kittens chewed on our shoes and pulled on our earrings and climbed all over us, apparently secure in the knowledge that humans are just big cat toys, as Gretchen explained the importance of foster homes for kittens and all other animals in the shelter.
Kittens often come into the shelter too young to adopt, even needing to be bottle-fed, they may have illnesses common to young kittens, may have been found orphaned and need nurturing, or they may have been born outdoors and never been socialized with people. Kittens do much better in a home situation in the hands of people who are willing to feed and cuddle and play with kittens to socialize them and introduce them to children and other pets and a true home situation so that when they are adopted they know how to behave.
“We have a great group of foster homes,” Gretchen said, adding that they numbered over 100 at the moment, ready to take pets of any age for wellness, socialization and cage breaks.
“But we need more, especially at this time of year,” she continued. “We took in 48 cats on Tuesday [August 23], and we adopted out 11.”
Those foster homes help take care of the overflow of animals, especially cats during the summer. A typical foster session may be only days to give an cat a break from being in the shelter, or it may be a week or two if they are being treated for an illness such as an upper respiratory infection and need medication, or it may be a month or two in the case of young kittens. In all cases, WPHS covers the cost of medication and veterinary care in their own shelter clinic.
“And then they come here like this, friendly, healthy and ready to play,” said Gretchen as she cuddled an orange kitten.
“If you want to adopt but can’t, or you want to help out but can’t come here to volunteer, you can always foster,” she added.
Volunteers
While we were there two Volunteer Cat Cuddlers, Siobhan and Sean, came in to play with the kittens.
“We come in about twice a week,” said Siobhan, “and we really do hug kitties!”
“We take them out of the cages and visit with them too,” Sean added as a kitten was hanging off his glasses and another was climbing up his back.
We continued playing with the kittens until they started piling up for a nap.
The wonderful adult cats
Next we visited the cages in the main cat room and played with as many kitties as we could.
Yoshi, a long-haired tortoiseshell, 8 months, and Miko, a long-haired tabby, 2 years, had come from a home where there were “too many cats”. They were a beautiful pair of kitties, playful, gregarious, curious—anyone who adopted these two would have a home instantly full of the loving and playful companionship of two cats who were best buddies, ready to be best buddies with you.
Peaches, white with a few orange spots, looked cool and distant at first, until she fell down on her side and began begging for pets, nearly falling out of her cage!
Gizmo is a big and quiet kitty, long-haired tabby with white, but I could tell he had a lot of mischief in him, and the way he made direct eye contact told me he’s ready to be best friend with a human.
I could hear Ursula purring all the way down the row of cages, and while she appeared to be a plushy gray kitty rubbing back and forth and being as cute as possible, on closer inspection I could see she was a dilute tortoiseshell. Unfortunately, her photo didn’t come out well. It’s a shame I can’t sometimes be Lakshmi with several extra hands to hold kitties and take photos at the same time!
Of course, there were other kitties, and I visited last Thursday, so there may be new kittens and adult cats for adoption, but I can assure you that any of the cats I met would make a wonderful companion! Stop over at the shelter to visit, adopt if you can, or consider being one of the Humane Society’s wonderful foster homes.
The 2012 Best Friends’ Calendar
Each year the WPHS creates a wall calendar featuring photos of wonderful pets as a fundraiser for the shelter through sponsorships and sales. The Preview Event on September 13, 2011 will be at the Fox Chapel Yacht Club from 6:30 to 8:30 p.m. and will feature hors d’oeuvres and a cash bar, calendars for sale and an auction of donated items, such as my portrait certificate, to benefit the shelter. For all this, tickets are only $25.00 each. Visit www.wpahumane.org or call 412-321-4625, ext. 248.
Open Door Shelters
“Being an Open Door Shelter means we never turn away an animal in need. We currently take in over 14,000 animals each year and have been helping people and pets since 1874. Visit the Open Door Shelters website.”
Donation of Commissioned Portrait Certificates
As my way of giving to shelters, I donate a limited number of commissioned portrait certificates to shelters and rescue groups every year to sell or auction in their fundraisers. The certificates are worth $125, the minimum cost of a portrait, and typically auction for well more than that. The winner receives a presentation folder with the signed certificate, a thank you letter from me for supporting the organization, one of my brochures and the invitation to begin the process of a portrait of their design.
I have to limit the number of certificates I donate because of the amount of time I put into each portrait, but I also offer commissioned portrait certificates at a reduced cost to other shelters and rescues when my yearly quota is reached. I like to help as many organizations as I can, but the kitties need to eat too! Please contact me if you are interested.
All images used in this article are copyrighted to Bernadette E. Kazmarski unless otherwise noted and may not be used without my written permission. Please ask if you are interested in purchasing one as a print, or to use in a print or internet publication.
Bodie and Bear Bear Are Ready to Go Home
Posted: December 19, 2010 Filed under: animal artwork, bodie and bear bear, commissioned portrait, dog, dog portrait, pastel painting, pet portrait | Tags: commissioned pet portraits, dog portraits, pastel portraits, pet portraits, portraits of animals, two dogs 6 CommentsI have completed and framed this portrait, and it’s off to its people to be a surprise holiday gift.
You can read more about the background on it in my first post, and the fact that the husband is returning the favor to his wife, who commissioned me to do a portrait several years ago.
I had gotten a pretty good start in the first draft, but if you look closely you’ll see a lot more fur this time, and more detail generally.
The portrait is 18″ wide by 14″ tall, and the dogs’ faces a pleasantly big, large enough to work good detail around the eyes and on their noses. Working the fur on subjects this large is a little more time consuming, especially with long-haired animals such as these. I start with general areas of color to mark where the shadows and highlights are, but then I layer other tints and hues over that and the final top color in wisps, blended with my fingers. This is what gives the fur the depth and texture while maintaining the right coloration.
I really enjoy dog’s noses—there’s so much going on there! And in an extreme close-up you see so many different-colored hairs and whiskers of every length.
Read the details of building the portrait and the people who commissioned me in my first post.
I can’t wait to hear what the recipient has to say, and I’ll be sad to see them go so soon!
Read more about my animal portraiture.
Meet Bodie and Bear Bear
Posted: December 14, 2010 Filed under: animal artwork, bodie and bear bear, commissioned portrait, dog, dog portrait, pastel, pastel painting, pet portrait | Tags: commissioned pet portraits, dog portraits, pastel portrait, pet portraits, portrait of two dogs 5 CommentsDo I paint dogs too? Of course! Bodie and Bear Bear will be a holiday gift to a spouse.
This is the first draft of this portrait of the owner’s two dogs, painted in pastel as usual. I love images of our animal companions like this—isn’t this how we often see them, looking up at us expectantly? It’s a little difficult of an angle to draw because it’s often quite foreshortened, especially with taller dogs whose heads are simply closer to the lens. In this case I widened the two dogs’ lower bodies to keep them in natural proportion. I have fur to add to both of them, but that will come last.
This painting is about 12″ x 18″, plenty big enough for detail, so when I first looked at the photo and began to visualize, I knew I could work with the dogs as they were, just modifying their bodies as described above. But what about the hardwood floor, and that rug?
I actually charge extra for these background elements, and sometimes I’ll advise to omit them, both for various reasons. A smaller painting would make it difficult to work these details, more time-consuming, often more time than the subjects themselves so I make sure they are important to my customer. They can also be really distracting and take away from the subject being more of a design element, and people get tired of carpets and such. I hope this painting will hang on the wall for years and years, but what if my customer gets tired of the rug, or changes the colors all over the house? I doubt they’ll get tired of looking at the dogs, but the carpet might get a little tiresome years from now.
On the other hand, the hardwood floors and the carpet are from the era of these pets, and all together it looks like home. This painting is large enough to support the patterns, the dogs are large enough not to be overwhelmed, so I decided to include it, though simplified. Once I got my initial sketch done, I liked the composition and dove right in.
Because animal fur floats over its background, I usually finish the background of a portrait before I work on the subjects. The floor and rug are nearly done, but I need to finalize the details, especially in the floor, to give it a little bit more contrast. Both dogs have lots of loose, flowing fur which I can draw right on top of the background, filling out their figures and giving them both their familiar fuzzy shapes.
I can also finalize the details in the rest of the fur, but most importantly their faces, those eyes and noses and ears that are our most familiar features of our pets since we look at them most often. I paint until they look back at me.
The above portrait is for a certain wife. Happily enough about ten years ago I did a portrait of Rocky and Bullwinkle for said wife to give to her husband. What a wonderful set of circumstances.
I put together this portrait from many images of the two individually and together. I particularly liked the one of Bullwinkle on the floor with the repeated shadows and highlights, so I made that the basis of the portrait. We wanted to work some jewel tones into the background because they were predominant in the house, but we couldn’t go too dark since Rocky was mostly black. That was how this portrait came to be.
I’ll have an update very soon, since this needs to ship out on Friday!
You can see other portraits of dogs I’ve done, including progress images in Lassie and Buddy, and you can visit my website to see my portfolio of commissioned dog portraits. You can also view portraits of my cats, portraits of other cats, and portraits of people as well as other artwork commissioned and otherwise.
My Creative Process on “Buckley’s Story” by Ingrid King
Posted: February 16, 2010 Filed under: cat artwork, my household of felines, pet portrait | Tags: animal art, animal artist, buckleys story, cat writers association, commissioned pet portraits, creative process, ingrid king, pet loss in the first person, the conscious cat, turning loss into creativity 2 CommentsAs both an animal artist and photographer and a commercial artist and designer, my cats are my muse, even if they aren’t the subject of my creative endeavor.
Ingrid King, author of Buckley’s Story, has featured me again on Buckley’s Story in “The Creative Process” as I get to offer my understanding of how I create a piece of artwork, writing or a poem, and how my cats have been my muse and encouragement all along, even in commercial art.
While you are there, take the time to read about Buckley’s Story: Lessons from a Feline Master Teacher and about Ingrid’s holistic approach to animal wellness, and make sure you visit The Conscious Cat as well.
I met Ingrid King at the Cat Writer’s Association annual conference in November 2009 and heard her speak about her book. From her loss of Buckley, a joyful and affectionate tortoiseshell cat who was diagnosed with heart disease after only two years, came an entire book, written immediately after Buckley’s passing. Since then it has received glowing reviews in the pet and pet loss industries.
I featured Ingrid and Buckley’s Story in my series Pet Loss in the First Person in the article entitled “Turning Loss into Creativity with Ingrid King and Buckley’s Story”. Ingrid tells how her career wandered around, forming into a helping, healing profession until Buckley joined, then left her life. She began writing in the midst of her grief, with a goal of having the book available to others by the first anniversary of Buckley’s passing, like a promise kept.
Pet Love and Pet Loss, and How it Gave Me My Art
Posted: January 23, 2010 Filed under: cat artwork, cat painting, cat photographs, cats, commissioned portrait, dog, dog portrait, feline artwork, grief, kublai, my household of felines, namir, pastel painting, pencil, pet loss, pet portrait | Tags: animal sympathy cards, commissioned pet portraits, drawing my cats, pastel portraits, pencil portraits, pet loss, turn grief into creativity, watercolor portraits 2 CommentsSeventh and last in a series of “pet loss and grief told from personal experience”
I simply have the observation that every time I’ve lost a cat, I’ve gained something in my life. I’ve made decisions about my career, began working in a new medium and found new friends, all around the time of a loss.
Perhaps the trauma of the loss caused me to see things from a new perspective, or to break an old habit and begin reorganizing my life, or just gave me a new perspective on myself so my same old life felt new again. I really think it was a gift from them so I might be distracted from my grief.
It began with love
I have a degree in English and wanted to be a writer and go on to study linguistics and comparative arts. Life took a different turn and presented other possibilities, and where I had neglected my interest in art before I suddenly had the time to practice.
A few years out of college, at night after work, I chose to pick up a pencil and paper and put them together because I felt the need to start expressing myself in images.
At the same time, inspired by my love for Kublai who had rescued me, I had been rescuing and fostering cats and, of those I picked up from streets and midwifed into the spare bedroom, a rag tag bunch of six had come together to share my life. Because of my experience with Bootsie I was busy learning as much as I could about feline health, diets, history and allopathic and naturopathic medicine so that I could give them the best care possible and not miss a single symptom of anything.
And while they may have looked like common garden variety cats to everyone else, I thought they were the most beautiful beings to ever walk the earth. I had always loved cats because of their quiet grace and independent nature, but the opportunity to know these cats had rendered it from the general to the specific.
Images of my cats kept appearing in my thoughts as pencil drawings and paintings and I decided to draw what I was envisioning. The need to express and the subject matter came together at just the right time and I began producing images I could never have imagined I was capable of rendering, moving from pencil, the only medium in which I had any skill, to ink to pastel because I could leave them every day and return the next night without worrying about drying time or too much set up or clean up.
I worked faithfully on learning my technique and sharpening my inner vision as I spent years painting my cats. Learning each new medium, technique or style has been based on a vision of one of my household residents before I moved off to another subject, flowers or landscapes, usually. With their guidance, I’ve mastered pencil, ink, chalk pastel, oil pastel, watercolor, acrylic, oil, collage, mixed media and photography.
It continued with loss
I realized with my first loss after beginning to sketch and paint the power of a portrait, and while they had started out as expressions of love, they became also expressions of remembrance, and as I lost that original family of muses that this was the greatest gift of all, giving them a sort of immortality.
Through the years my cats have been the subjects of dozens of works, and others, seeing these works, want a similar piece with their own animal companion as a subject. I have had the pleasure of creating more than 100 commissioned portraits of cats, dogs, cats and dogs, and cats and dogs and people. They are gifts for loved ones, memorials to cherished companions who’ve gone before us, and lovely pieces of artwork featuring an animal a person loved. You can find out more about my animal portraits in the “Custom Pet Portraits” page on this blog or by visiting my website where I have a demonstration and images of cat and dog portraits.
Now Stanley watches over my studio in “After Dinner Nap,” Kublai forever rolls on the floor like a goof in “Are You Looking at Me?”, Fawn peeks out from under the dust ruffle waiting for me to walk by in “Waiting for Mom,” and there is also Moses and Sally and Sophie and Namir whose portraits I can smile and look at. I have two new portraits planned, of Allegro and Nikka that I intend to work on this spring, now that I’ve found the best reference photos.
The animal sympathy cards
But there was one other project that had been waiting in the wings all these years, and with the loss of Namir I felt as if I had finally, somehow, come full circle and arrived at the point where I could put my grief in images and design the animal sympathy cards I had always planned to do, but kept putting off until the time was right. I think I wanted to make sure that I had enough experience and perspective so I wouldn’t design something I’d turn my back on later, thinking it was incomplete or immature. Of all cats, Namir doesn’t appear here except for his pawprints in “I’ll always walk beside you”. But I wanted to make sure I memorialized Lucy, the little black kitty you see twice below, who I lost at 15 months to FIP, right after I had lost my four oldest friends.
While I am a fine artist, I have actually worked as a graphic designer for more years than I want to tell. Designing everything from letterhead to websites every day, the task of designing these cards was second nature to me. I was glad, for once, to use my commercial art skills to create something for my offering of animal art, especially since my poor neglected cats could just expire all over my desk before I took my eyes off the computer.
I’ve found, to my surprise, that these cards are sometimes purchased for the loss of a human, or even a “thinking of you” card for persons who like animals—I never considered this. Using the images of my own cats for these cards, especially ones who had passed, was a little frightening; if one of the designs was not at all popular it could feel like a rejection of that kitty, who I loved so much. I am so glad I waited until my sentiments and designs were more universal, not so personal, to create these cards. Some are more popular than others, but I have reprinted all of them so no one has been left behind.
I intentionally chose to use photos rather than paintings for most of the designs. I like the softness and little bit of fiction I can work into a painting, but somehow I felt the realism of a photo was needed when expressing deep and sincere emotions of these cards.
Each of the cats depicted here was or is one of mine and the dogs are ones I’ve come to know through friends and art customers. I am currently working on more dog images as well as images of home and nature where we remember our animal companions best. There are more cats than dogs because I live with cats and have lots of material, but more than that I am careful with the images I use, not only that they are easily recognized and accepted, but that I know the animal well enough to use its image for this purpose. They are conveying a heavy thought, and I don’t take the relationship with my subject matter lightly.
All animal sympathy cards can be found in my Marketplace under Animal Sympathy Cards.
Other images used for sympathy
And in addition to the intentionally-designed sympathy cards are the blank greeting and note cards I have available portraying a special moment of one of my cats I’ll always remember.
We have each other to thank
Animals give us so much in everyday life, but my cats have given me my career.
Pet loss and grief told from personal experience
When I was losing a pet and making decisions, and after I had lost a pet and was dealing with grief, I was most comforted by hearing stories from others about their experiences. Sitting with one of my cats in the middle of the night, trying to determine if they were suffering in any way, if they were ready to let go, struggling to make the decision about euthanasia and what to do after they died, I felt so alone and only hearing what others had experienced and what they had decided helped me put my own situation and decisions into perspective, and let me know that I was not the only person to experience the anguish I was suffering. I’ve composed this series of articles in the hopes that others find comfort in my experiences and those of the others mentioned here, and that information included about services and products may help them in their decisions.
Read the other articles in this series:
To love that well, which thou must leave ‘ere long: my first and worst lesson in pet loss
Starting with pet loss—before the loss: begin preparing yourself for loss by being proactive about care and providing palliative care yourself at home
Options for “After Care”, featuring Chartiers Custom Pet Cremation: aftercare, and a profile of a business and a person I find exceptional, and exceptionally comforting
Heal Your Heart After Pet Loss, a Remarkable CD and Guidebook: your grieving process, and a very special CD and guidebook for those times when you need a comforting voice
Turning Loss into Creativity with Ingrid King and Buckley’s Story: how grief can become the catalyst for change, turning grief into a creative effort
Pet Loss Support Information: ideas and resources for where to find comfort and support in your loss, including books about and inspired by the author’s personal experience
Pet Love and Pet Loss, and How it Gave Me My Art: my own experience turning multiple losses loss into multiple creative endeavors
About the images used in this post
All of the images used here are of my artwork, from portraits to designed cards. It’s one of the things that helps me with losing them, to know that their image goes out in the world and they are thereby, in a way, immortal. To see the art visit my website and look under “Fine Art and Portraiture” for the gallery, “My Cats“. Also look under “Photography” for the five galleries of “My Cats“. You can browse prints and notecards in my “Marketplace“.